operationfailure:

My friend Maggie, at the young age of 34, just found out she has a twin, and now it’s up to all of us to help her find them!

I love a mystery!

Please share this photo!

(via aaawunder)

nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
nofreedomlove:









Source
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

nofreedomlove:

image

image

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imageimage

image

image

image

Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

(via socially-awkward-lesbian)

wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.
       "Because people want to save, the things that they love."
             We all miss you mate. 
wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.
       "Because people want to save, the things that they love."
             We all miss you mate. 
wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.
       "Because people want to save, the things that they love."
             We all miss you mate. 
wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.
       "Because people want to save, the things that they love."
             We all miss you mate. 
wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.
       "Because people want to save, the things that they love."
             We all miss you mate. 

wildwesjames:

Today is September 4th 2014. It has now been 8 years since the death of one of my greatest heroes.Steven Robert Irwin. In that time, and unlike what my comforting mother, and friends assured me, it has not become easier. In the years since his passing I have watched as animal media feed into the hands of the uneducated, sensationalist, and often even cruel TV show hosts only content in showcasing the brutality, and deadly aspects of wildlife. I have seen no one step up to the plate, no one fill that void he left in the world. Consider this an open letter, to all those as tragically in love with the natural world as I. Get out there, be loud, show your self and your love to the world, educate, experience, and just and just freaking live. We are but one species on what may be the most biodiverse planet in the universe. So get up, and make some damn noise, lose the fear, and show them what you love.

       "Because people want to save, the things that they love."

             We all miss you mate. 

(via greyliliy)

thedaisiestdaisy:

inaneenglish:

waltztothemoon:

ScarJo looks like she had been waiting her entire career to do that with Sandra.

<3

#and sandra is like ‘that’s right i got to kiss her’
thedaisiestdaisy:

inaneenglish:

waltztothemoon:

ScarJo looks like she had been waiting her entire career to do that with Sandra.

<3

#and sandra is like ‘that’s right i got to kiss her’
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.
mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).
But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.

mamasam:

This breaks my heart because you can see the exact moment that Lilo realizes how important she is to Nani. She has seen herself as the burden and responsibility (“You’d trade me for a rabbit”). She worries that she takes away the good things from Nani (“Did Stitch and I make you lose your job?”).

But right here at the end. She realizes. She is the good thing. She is the ONE. GOOD. THING. that Nani wants to keep. And she’s realizing that Nani won’t get to keep her.

(via offside-goal)

-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.
-teesa-:

7.23.14
George Takei describes the moment when he and his family were sent to an internment camp.

-teesa-:

7.23.14

George Takei describes the moment when he and his family were sent to an internment camp.

(via space-husband)


Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

Kerry Shawcross is one of the most under appreciated people at RT I think. I mean, Kerry writes RWBY & is a co-director of the series. How fucking cool is that? And with the amount of hate he receives from people for being on A.H. is completely ridiculous sometimes and it’s simply sad. I wish people would notice him more.

(via fuckyeahroosterteethproductions)

awkward-lee:

this is amazing
awkward-lee:

this is amazing
awkward-lee:

this is amazing
awkward-lee:

this is amazing
mayor-doctor-of-tardis:

These are amazing [1, 2, 3, 4]
mayor-doctor-of-tardis:

These are amazing [1, 2, 3, 4]
mayor-doctor-of-tardis:

These are amazing [1, 2, 3, 4]
mayor-doctor-of-tardis:

These are amazing [1, 2, 3, 4]

open rp

phantomdoodler:

fixitfelixjnr:

didney-worl-no-uta:

fixitfelixjnr:

*kisses*

image

WANNA SLAM SOME JAMS WITH ME, LITTLE FLUFF MAN?

image

yes!

image

image

HE SCORES

(via optimuspizza)